#Willem dafoe movies movie#
#Willem dafoe movies full#

I donвЂ™t even want to go there in terms of making it.вЂќ The Pontius Pilate, the idea of him out in the thing-we actually threw the idea up.

A lot of times, I just run a fucking idea by my head and IвЂ™m thinking, вЂњWow, thatвЂ™s cool. Maybe heвЂ™s just daydreaming of a film he doesnвЂ™t even care to make. The passion, for whatever reason, is part of Tommaso, whether he actually played the role on the cross, like you had with Marty, or he is thinking of a film he wants to make. He has his own life and he has ideas for films that could be or could not be. I think thatвЂ™s the goose that you get out of doing this kind of work.ДЇERRARA: The idea of Tommaso, being who he is and what he is, he could have been an actor as well as a director. I will never be that, probably.ДAFOE: But I can be there with the life of a drag queen in Harlem and consider, not only that life, but also my life in a different way. I can know what itвЂ™s like to live as a drag queen in Harlem, maybe. ThatвЂ™s what going to the cinema is great about. You come up against it and you learn something. ItвЂ™s nice when you have an authority in your pretending. It was seeing where the scene would take us. We didnвЂ™t have something that had to be accomplished in the scene. But the really interesting thing about working in this loose way was that it was about the quality of being there and the reality of being engaged.

Sometimes we would and sometimes we wouldnвЂ™t. You would take me aside and tell me a story about something that you wanted to see, and then weвЂ™d try to find our way to that. But certain scenes were made up.ДAFOE: Particularly, the flashbacks. Sure, there were scenes I could have imagined.

#Willem dafoe movies movie#

Where the essential idea of a movie comes fromвЂ¦I really donвЂ™t know where that does come from, but itвЂ™s almost always just the beginning of it. WhatвЂ™s in front of us is basically our modus operandi-the elements that are there and, really, where the creative drive comes from. I made Dangerous Game-my wife was in it and played against that that kind of relationship. IвЂ™m wound up.ДЇERRARA: I think weвЂ™ve been doing it like this the whole time. IвЂ™ll kick off with that, otherwise IвЂ™ll talk forever. ThatвЂ™s the pleasure you have when someone lets you participate in a way thatвЂ™s fluid. We always try to find situations where we can exercise that and find something out. We have a lot of similar struggles and a lot of similar interests, so that brings us together. WeвЂ™re expressing what our experience of our lives are, but not necessarily in a direct way. ItвЂ™s a really important distinction that thatвЂ™s not whatвЂ™s going on. People think weвЂ™re trying to head-shrink you, or weвЂ™re trying to explain away your life, or that youвЂ™re using this film like psychotherapy. WeвЂ™re just dealing with some things that we know and things that are around us. Some was just 100 percent set up and then improvised. Some of it was more developed than others. We made this film in a guerrilla-style way. WILLEM DAFOE: Listen, I donвЂ™t think in terms of character, and I donвЂ™t think in terms of autobiography.

BESSIE RUBINSTEINДЄBEL FERRARA: Usually people ask about the character of Tommaso and me-if heвЂ™s me.

#Willem dafoe movies full#

We got on the phone with Abel and Willem, who engaged in a rambling conversation about guerrilla filmmaking, leaving New York, and, after all these years, still being full of surprises. The upcoming Siberia-about which Willem only says that there are bears, stunts, and вЂњdream stuffвЂќ (oh my)-will be the pairвЂ™s sixth collaboration. Tommaso, a portrait of an American director in Rome trying to outrun his creeping, dark ideas, will be their fifth film together, with Dafoe acting as husband to FerraraвЂ™s actual wife and father to their actual child the film is currently streaming via Kino Lorber. It makes sense that Willem Dafoe, who has gone on record about his enthusiasm for submitting to primal instinct, is FerraraвЂ™s soulmate in experiment. In the wake of the recent Black Lives Matter protests and our nationвЂ™s reckoning with police brutality, these films start to seem less and less archival.ДЇerraraвЂ™s particular forays into power and corruption are distinct from his peers in that they embrace exploitation and dancing with our most reprehensible impulses. His most famous films, King of New York and Bad Lieutenant, which centers on a coked-up cop, portray a New York that was ruled by money, not law, and unbothered to even pretend it was the other way around. Like those directors, Ferrara cut his teeth creating gritty, thrilling stories of the city before the better days of its economy. Those familiar with Abel and his work can place the director in the Scorsese and Coppola family-a sort of twisted cousin who youвЂ™d think twice about before inviting to a family dinner. When Abel Ferrara says that sometimes, he has an idea so wild that even he doesnвЂ™t want to see it through, you believe him.